Even though the iPhone creates a beautiful image, one can see the difference between a cinema camera and an iPhone. My film was not going to work on the iPhone. “Steven Soderbergh embraces the freeing possibilities of both the iPhone and the B-movie in this pulpy psychothriller, lent some grit by Claire Foy.” Read more in this Variety film review. It makes the audience feel like they are seeing the woman through the perspective of a third-party observer.
Shooting on an iPhone with wide angles created a visual aesthetic of paranoia.
What setting do 4k video makers use movie#
The movie is about a paranoid woman who feels she is being watched and followed. I particularly loved what Steven Soderbergh did with his first iPhone-shot movie, UNSANE. Not many filmmakers have done this, but there are a few that have with moderate success. I knew I would have to finance the movie on my own and my first thought after writing the story was whether I should shoot on my iPhone or not. I specifically wrote a feature that had minimum locations and a small cast of characters. Smartphones a Growing Presence in the Industry There are so many affordable cameras that shoot beautiful images, including the iPhone, which has a 4K option. This is obviously easier said than done, but there are many people capable of this as long as they are strategic about the story they are telling.
Every great filmmaker has been asked by the younger generation, “How do I get a movie made?” The answer that all these great directors give is, “Just go make one.” Heck, now you can even pick up a phone and shoot a movie! This past year, I produced and directed a film, independent of any studio or production company. Producing an Independent Film: Use Any Camera But does that mean your work is automatically four times better quality? Is having this much information necessary when you are making an independent movie with a limited budget? I will describe my own experience grappling with this question and why, ultimately, I intentionally chose to shoot in a lower resolution.
What setting do 4k video makers use 1080p#
It provides four times the total number of pixels on a screen compared with 1080p (and twice as many pixels horizontally). True 4K (referred to also as Cinema 4K, C4K, or DCI (Digital Cinema Initiatives, who set this standard) is wider. The consumer standard (TVs, monitors, YouTube) is 16:9. The vertical resolution is the same for both but not the horizontal resolution, so the most marked difference is in aspect ratio. Note that this is true for Netflix Originals – not self-made movies, which can theoretically be shot in 1080p and still qualify for streaming on their site.Ī lot of displays out there boast 4K when really they are using UHD. As of this writing, their website states that the filmmaker’s “camera must have a true 4K sensor (equal to or greater than 3840 photosites wide).” If you’re shooting with Netflix in mind, know that UHD is sufficient (see info box above for more on the differences between UHD and DCI 4K). Netflix Originals are now required to shoot in 4K in order to be shown on the streaming platform. In the movie projection world, DCI 4K dominates. In this consumer world, UHD reigns supreme.
There are a few other differences we won’t get into here. True 4K (referred to also as Cinema 4K, C4K, or DCI – Digital Cinema Initiatives, who set this standard – is wider). A lot of displays out there boast 4K when really they are using UHD. UHD is not four times the 2K standard but instead is four times its predecessor, HD, making it 3840 x 2160. Strictly speaking, 4K (4096 x 2160) is four times the previous 2K standard. *4K and UHD are not synonymous, though you will hear them used interchangeably as if they are. Is it a commercial, a music video, or a feature film? Will it be shown online, on TV, or on the coveted big screen? Should I shoot a project in 4K, also referred to as Ultra High Definition (UHD)*, or shoot 1080p HD? The question is usually dictated by what he/she is filming. To 4K or not to 4K? This is the question every filmmaker faces these days.
0 kommentar(er)
